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Recent Work



War and Peace Original soundtrack



Show Reel 2017



Post Human W.A.R


Nominee as best music and sound design Soundtrack_Cologne 2018

Nominee for best music : Game Audio Contest Hamburg 2018


Folio

Documentaries :

- CANNES 1939, LE FESTIVAL N'AURA PAS LIEU (Sound Design for silent archive videos. 52 min. La Casquette Productions. France 5. Broadcast in 2019)
- MUSÉE GUERRE ET PAIX EN ARDENNES (MGPA) (Reconstituted sets with sound design, and music & sound design for 6 documentary films. Produced by La Casquette Production. 2018)
- HISTORIAL DU PAYSAN SOLDAT (Music and sound design. For the Museum of Fleuriel. Produced by La Casquette Production. 2015)
- 600 ANS D’AVENTURES HOUILLÈRES (Music and sound design. For the Museum of Saint-Étienne. 14 min. Produced by La Casquette Production. 2014)
- LES GRANDS DRAMES DU SPORT : FURIANI (Music. RMC Découverte. 2013)

Videogames :

- Post Human W.A.R (Music. Studio Chahut. Published by Playdius. 2017)
- Achoo Colors (Music and sound design. Unreal Engine GameJam 2018)

Feature Films :

- POISSON ROUGE (Comedy/Drama, 90 min, Dir. Couac Production, 2021. Additionnal music.)

Short Films :

- IN UTERO (Drama, 20 min, Dir. Yann Tivrier. In progress)
- ANICCAM (Stalking movie, 20 min, Dir. Lo Xu Ming Tong & Alexandre Do. Quebec / England, 2020.)
- LE CHIEN DE CHURCHILL (Documentary, 5 min, Dir. Etienne Husson. Prix du jury Festival Convergence. France, 2018.)
- DÉBANDADE (Buddymovie, SF, Post-apo. 9 min. Dir. Bertrand Chanal. Prod Mathieu Lesueur. France, 2015.)
- L'ÉCHAPÉE (Drama/experimental. 12min. Dir. Morgane Maurel, France. 2015)
- HANDSOME AND PRETTY (Animation. 5 min. Directed by Iris Visser. Produced by Robin Stjenberg, Sweden. 2015)
- AH ! (Drama. 7 min. Directed by Mohanad Diab, Egypt. 2015. Best Short Film at the Delhi International Film Festival)
- UNE AMOURETTE (Musical. 4min30. Directed by Isabelle Kågström, Sweden. Best music price at Sveriges Kortfilm Festival.2015.)
- CONVERSIÒN (Danse /experimental. 3min. Dir by Kay Villegas, Peru. 2014)
- ON THE ROAD (Social. 3min. Dir by Catherine Breton, Quebec. 2014)
- CLICHÉ (Comedy. 7min. Dir by Gonzalo Caride, Spain. 2014)
- NIQUE TA PELUCHE (Comedy/Animation. 7 min. Dir by François Mercier, Quebec. 2014.)
- SEUL À SEUL (Comedy/Action. 22 min. Dir by Bertrand Chanal and Nicolas Hugon, France. 2012. Music funded by SACEM)

Awards and Nominations :

- Canneseries 2019, selected for InDevelopment to create music of 3 pitch sessions
- Soundtrack_Cologne 2018, nominee for best music and sound design for the movie "Blue Honey"
- Festival International du Film d'Aubagne 2017, selected for the "3ème personnage" meeting,
- Festival International du Film d'Aubagne 2016, selected for the Masterclass directed by the oscar winning Bruno Coulais and Gilles Allonzo,
- Sveriges Kortfilm Festival 2015 (Sweden), Best music for the shortfilm "Une amourette" directed by Isabelle Kagstrom



Corporate :

- ODIORA
- IPAMAC, Parc Naturel du Massif Central
- SCHNEIDER ELECTRIC
- BIOLOGIQUE RECHERCHE
- Maison Sociale Agricole (MSA)
- and more...

About

Thomas Nicol aka THO

EN/

Thomas NICOL aka THO is a french music composer. Initially introduced to the guitar by his father, guitarist and journalist, Thomas Nicol acquired his musical knowledge at the conservatory, where he studied music composition, concrete music and sound design.

In parallel he created several projects in performing arts and live music, going from post-rock to a musical tale, but also and above all begins the exploration of writing music for picture through indie short films. Then he worked for documentary films and sound installations for museum spaces throughout France, and also video games, feature film…

His work has been rewarded several times, allowing him to travel across France and Europe and discover festivals such as Canneseries, Soundtrack_Cologne and Aubagne International Film Festival.



FR/

D’abord initié à la guitare par son père, guitariste et journaliste, Thomas Nicol poursuit son étude de la musique au conservatoire où il étudie la composition, la musique concrète et le design sonore.

Abordant la musique comme un immense terrain de jeu, Thomas compose d’abord abondamment pour des projets scéniques très diverses, allant du groupe de post-rock jusqu’au conte musical jeune public. Mais c’est rapidement pour l’image qu’il compose le plus, mettant ainsi en musique long et courts métrages, documentaires et jeux vidéo.

Son travail a été plusieurs fois récompensé lui permettant ainsi de se rendre à des festivals tels que Canneseries, Soundtrack_Cologne ou encore le Festival International du Film d’Aubagne.

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